alphonse delivers the inaugural ep on new label black orpheus. 4 sublime cuts that move from the bedroom to the lounge and then onto the club.

barker & baumecker take turns from techno, bass, breaks, and experimental terrain with their second album on ostgut ton.

after the great ep -young and stupid-, ann clue & boris brejcha are back with their second single release -acid attack“. bringing back the classical 303 in one club banger and diving into a more deep melodic atmosphere in the second one called -roadtrip-.

much may have changed over a two-decade period, but drumcodes commitment to releasing the scenes most cutting-edge and refined techno remains resolute. with releases last year from heavy hitters such as adam beyer, alan fitzpatrick, luigi madonna, jel ford, dubspeeka and mark reeve, the label continues on in 2016 in much the same way, bringing fail-safe, club-ready music to the techno community.

it’s 3am. the club is still open. you’re bathed in sweat, mid-set. it’s not time to go home. not just yet. now imagine the new release from germany’s oliver deutschmann kicking in on the sound system. this is the new release on swiss imprint, caduceus records. they’re back with yet another undiluted dancefloor bomb from the man himself - a release guaranteed to take you to that place and guide you further down the rabbit hole.

rolling minimalistic groovers from birdsmakingmachine for the ninth instalment of the series. a versatile ep that keeps in line with the bmm trademark sound, while offering a track for each mood, from more dancefoor-oriented club music to stripped down afterparty vibes passing through broken beat influences and eclectic atmospheric soundscapes.

2016 repress - r&s welcome another newcomer to the family. with only one release behind him on hessle audio and a wicked remix for warp (the hundred in the hands) blawan finds his new tracks in demand from the likes of james blake, jackmaster, untold, ben ufo, ramadanman and pariah. the title track is already creating a bit of a stir from its inclusion in a few high profile dj sets, but all three tracks raise the game for this young producer. the whole ep is filled with an honest, infectious energy, just like his dj sets. you cant pigeonhole this as >post< anything, its pure, stripped down, club music. sometimes drums, bass and acid is all you need.

following on from david morales appearance on the label earlier this year, rekids tap up shed and ryan elliott for a pair of percussive reimaginations. well known for remixes of the thompson twins, shawn christopher, clive griffin and the pet shop boys, morales red zone moniker was conceived during the def mix legends formative years at the renowned club sharing the same name. 50 weapons and monkeytowns shed adopts his head high alter ego for a remix that draws the originals vocals into the spotlight before planting thunderous kick drums beneath whilst dusty pads operate above. meanwhile, ostgut ton affiliate ryan elliott crafts a reimagination that incorporates breaky percussion, a rumbling low end and sweeping astral synths.

zweiter tribute-sampler für den legendären, britischen soul-club blackpool mecca. mit 12 legendären northern soul-perlen und raritäten aus den playlisten von ian levine und colin curtis aus den letzten 45 jahren. mit bobby womack, lou courtney, the charisma band, diane jenkins und the boogie man orchestra.

having been rivals on the football pitch as teenagers, a chance encounter many years later - djing at an international windsurfing festival - cumulated in a back to back set that kicked off the italia90 collaboration. putting the footballing differences aside, italia90 grew out of a shared love of quality house music that was influenced greatly by glasgow s close relationship with chicago and institutions such as the sub club that brought these house heroes close to home.

father & son records and tapes have already had a strong 2016 with releases from naphta, dj sajko and das komplex, and now the polish label rounds off the year with a stunning album of style-spanning wares from niemoc. paramaribo is the first physical release for the emergent artist, and it sports all manner of instrumentation feeding into a wholesome, heartwarming whole. there s a danceable pulse propelling these tracks, and the likes of -lustro- head more overtly into club territory, but by and large this is an album of plaintive melodics to tug at the heart as much as the fee

after a considerable career releasing on numerous labels, as well as being co-founder of essen based label mild pitch, langenberg finally drops his first album under this alias. max heesen, (who is also one half of ribn with manuel tur) delivers the smartly titled central heated house for steve bug’s dessous recordings. the lp format suits langenbergs hypnotic house classicism well, allowing time and space to stretch out the grooves and moods over four sides of vinyl working both for the djs and perfect as a soundtrack for the autumn. the lp kicks off with jade, a melancholic, tape saturated introduction to langenbergs deep tastes. room 210 maintains this atmosphere, with fizzing percussion and warm detroit-esque melodies. groove 26 is perfectly timed for the hot summer, as lush rhodes chords and kdj style vocal snippets provide the heat for the openair vibes. the single from earlier this year shadows features the talents of vocalist blakkat, and caused some serious response when it hit airwaves and dancefloors alike. never worry is a heads down roller, built around a simple but perfectly executed bassline, while dreamliner is trippy laidback sunshine house all the way. ill be late and planitz proposal step back into the club, with langenbergs signature crisp percussion, crunchy hits and analog synth wizardry on full display. rain & roses closes out the album in a similar way to how it started wistful, thoughtful house music with soul.

nicetraxuk strides with confidence to its fourth release with some grade a producers on board to confirm the label s position as a trusted outpost for upfront club tackle. moodymanc is on fine form on -where s the story?- dropping an expressive set of drums in a crafty broken beat funk as submerged chords play out and an unnamed source waxes lyrical about stories in house tracks. lil mark meanwhile links up with jcub for -epic 40,- a seriously stripped down club workout that maximizes on finger clicking and moody bass in a flawless demonstration of restraint.

nice price deal !!! #name?

collins debut 12- on giallo disco is dark as night and sharp as a knife. twisted electro-nightdrive stormers for revenge fantasies and futurist cyberpunk sex dungeons, dreamlike replicant discotheques or if the boccaccio club existed in liquid sky. remix duties come from giallo disco favourite protector 101 who takes signature ligature into heavy synth territory peaking into blown out electronic doom.

latest recruit to the rk mob: garth be. a fellow manc who is a legend up here, got a 75th dan black belt in mpc usage. 5 raw cuts for the club, soulful/banging/future/deep/blunted. the sound of manchester 2016.

noch nie auf vinyl da gewesene raritäten aus dem archiv von tuerkoola-records (bisher nur auf tape erschienen). und eine weltpremiere. feinster, türkischer psych-funk, disco-folk und anadolu rock. und sie ahnten es sicher bereits: altin kanis kkuebue bedeutet selbstverständlich golden pudel club auf türkisch.

rvds second album with different musical impacts. a musical journey with acid, deep house, deep techno, jazz, ambient, love and so on … all tracks by rvds, guitar on a2: philipp schneider, voice on e1: giada pesce. mastered by helmut erler (dubplates&mastering) photos (from the pudel club floor) by miguel martinez, artwork by c.i.alex https://soundcloud.com/rvds vital sales points: - golden pudel club resident - releases on it’s, smallville, laid, uncanny valley

after excellent debut album on mule musiq,oskar is back with four remixed tracks. legendary osunlade remixed most club friendly track on the album and it’s more dj tool jazzy deep house. oskar’s buddy edward remix is simply epic.very imaginative breakbeats track. frankfurt’s bodin&jacob’s remix is kind of mash up of some tracks on the album. it’s kind of early electro stuff. metamatics is well known in the end of 90’s.we like his moniker norken. hope you dig some of remixes!

edits from the deep club. more warm house vibes than you can shake a psp vintage warmer at.

portland based producer strategy is back on endless flight. strategy have been released from kranky, 100%silk, further records and name a few. we always enjoy his unique house music and ambient stuff. this new ep contains four killer low-fi house stuffs. it’s probably his most club friendly record.

born from live experimentation, this inaugural ep from the other planet reflects the spontaneity of creation. oscillating between club sensibility and an ode to late summer jams, rbdp play subtly between different styles.

big debut release from new polish label play !t loud who pull out all the stops with a club ready four tracker that features some seriously fire-y talent. omar santis and italian producer phlowgod deliver rolling house numbers on the a-side whilst german trio dudes on synths (trp, hutab and tauts box) and newcomer regular customer, drop deep, rough and raw vibes on the flip. this one’s vinyl only, so don’t sleep.

after the success of their first release, emotive returns with a 3 track follow up from label forefathers silk 86. emotive 002 continues the theme of its predecessor, with an evocative blend of house, disco and some much needed soul laying the foundations for all 3 tracks.
the aptly named “vince charming” kicks off the package, drawing you in with a smooth bass hook before the vocal gets to work on embedding itself deep into your mind. on the flip side “whenever you need me” is a driving house workout, featuring cascading strings and horns straight out of disco s heyday. rounding off the package is the not so subtle “vince charming g mix” a thumping club ready rework of the a side.

dance 2017 is a new various artists ep series and compilation from the secretsundaze camp. this is the first release from the label after a year hiatus & sees fred p, nubian mindz & james priestley & marco antonio spaventi feature. fred p s contribution is a direct club track with a familiar sample. nubian mindz who has been producing under various guises for many years steps up with the deadly testing theories coming on like some of photek s more tech leaning material. last up is a woozy, unreleased aybee remix of james priestley & marco antonio s baia 2012. 12 inch full sleeve with sticker

exactly one year after developer s 5 year anniversary release on modularz which also was also celebrated in a special label night at berlin s premiere techno club berghain back in november 2015. he returns for is next ep named -dispatches from la- developer went to his home city of la over the summer 2016 to play a calendar of shows in the us and to record this ep from his 2nd studio in los angeles. its more of his trademark sequenced based yet hypnotic sound with a bit more of analog gear used for this one. tip

with this ep best works records would like to pre-sent a new artist - luis junior. no stranger to the game! madrid-based luis junior has been a dj and music producer for more than 20 years. in 1993 he re-leased his first 12-inches starting to build a disco-graphy of genre-defying music that pushes forever forward, designing new stylistic frameworks and breaking new artistic ground with each successive production. luis has grown into one of the most cut-ting edge and inspiring artists in spanish electronic music. his versatile production skills are clearly displayed here from soulful and folkloristic influences to techno. the first track on the ep “don’t give up on me” fea-tures singer sobi thurairatnam with sultry vocals and a stong pop-appeal. d-nox and beckers tranform it into a club burner for the early hours. floidos on the back-side is more of techno-orientated banger and with pasion luis junior manages to integrate some spanish flamenco sounds without getting to obvious.

after three years and ten eps, amsterdam s will & ink label offers up its first full length from label favorite yaleesa hall and is called woodall. it explores texture, space and sound design in fascinating ways. since 2014 yaleesa hall has released four eps on the label and has become known for breakbeat laced stripped-down techno. this debut album finds the producer indulging a less dance floor focussed version of his sound, and one that is better suited to the full length format. explaining that his tracks most often start as -sound structures and experiments- that then get reworked for the club, here they stay closer to their original forms. woodall is sound sculpture that is electronic and synthetic but also made of real world sounds that are all truly absorbing. comes in gatefold sleeve.

nervous horizon co-head tsvi follows up 2015 debut ep, ‘set you free’, with powerful new record, ‘sacred drums’ — a 12” that delves even deeper into the raw, no-frills potential emanating from the nh camp right now. already sought after for his fierce and complex club material, ‘sacred drums’ sees tsvi up his game even further across four heavyset new solo productions, as well as bringing in nh crew members, luru and dj jm, to collaborate on two digital exclusives. opener, ‘the healer,’ is an immediate case in point, a dark, rasping drum workout that’ll function both in or away from the club, while ep tracks ‘darabukka’, ‘parade’ and ‘assam’s children’, although punctuated by deft sample touches and flashes of melody, deliver the sort of power-drum, club pressure that tsvi has made his firmly his own

javier orduna grew up with the sound of legendary punk associates like the bad brains, joy division or dead kennedys. but already in the 80s he was dedicated to acid house and the techno of detroit which brought an inspiring vibe to his frst productions. an infuence you can still hear in his recent works. emerging into barcelona s vibrant electronic music scene in the early 2000ers with residencies e.g. at the legendary moog club orduna was soon touring clubs around the world and releasing his output on visionquest, viva music or moda black. what brought him to jeudi were his undeniable production skills and his big warm and crazy heart. for our 26th release we are proud to have him on board with this stunning 4 tracker defnitely will fnd some lovers out there.
supported & liked by jamie jones, hot since 82, chaim, tim green, sacha robotti, lehar, ewan pearson, robbie akbal, affkt, john monkman, lane 8 and so much more.

this hook burns in your head, classic organ anthem im repress !!!
from the vaults! 1992 kms records pressure straight from detroit, still capable of causing much damage on dance-floors in 2016! this 4 track monster pulls together a pretty heavy cast of detroit techno and deep house royalty in the shape of chez damier, mk and derrick may all contributing various mixes and versions across the ep. if deep, driving, soul drenched house is your bag you will be in heaven with -can you feel it-, a truly classic slice of sophisticated dance music indeed. all of the mixes are killers, but it s the -mk dub- mix, also known as the -new york dub- that really steals the show, here mk and may combine to craft a classy, slamming, emotive string driven jam that pushes all the right buttons. as usual, essential retrospective action here from one of the most legendary dance labels out of detroit. all tracks remastered and fully licensed with the sole permission of mr. kevin saunderson. 100% legit and not ready to quit!

marquis hawkes sound ranges from club-ready weapons of slamming and sleazy to swinging and acid-laced, beholden to vintage us house music and jacking dance floor jams. after the monumental success of his debut album social housing, a recent live boiler room appearance, resident advisor mix and a 9/10 album review in mixmag, marquis hawkes returns with an absolute beauty of a package alongside the indisputable queen of rnb & soul, jocelyn brown. the release also includes two remixes from producers at the top of their game, house legend paul woolford and close friends, polish duo catzndogz, each tackling the crystal clean house anthem im so glad turning in monumental dance anthems which will be heard across dance floors for some time to come. cut and mastered by matt colton at alchemy mastering.

limited 250 copies! sheffields hopeworks has become an essential melting pot for the cultural and musical future of a city whose electronic heritage has surpassed its industrial one. as creative director & resident dj lo shea, returns to the vinyl arm of this warehouse institution with a blistering new ep expertly programmed modern sonics possessed by the spirit of 90s rave & the uks characteristic bass influence abound here. from the syncopated and undulating a way through to the straight up ravery of mark x on the a side, to the hypnotic tribalism of primitive operations were looking at a crisply crafted modern techno suite of the highest calibre. bristols hodge handles a weighty remix of b1, amping the atmospherics and rounding off an ep of precision club tools par excellence.

billing themselves as crew of beat junkies raised in the legendary sugar shack studio,difusion make their first appearance on their own label in style with some righteous edits that make some decisive cuts where it counts for pure dancefloor dynamite. losing me is more of a rolling breakbeat inflected house workout with a deadly delay treatment on the vocals that drops in at just the right time to surely set a club off at any hour. get up is a more sultry cut but it still hits heavy, and be truthful and change it both offer up differing soulful angles to make this a highly versatile record for all kinds of situations.

its been a while since something new from dave ellesmere surfaced, but the multifaceted artist has been tasked by the ever on-point brothers vibe to lay down a few serious slabs of club tackle for mixx records. caught in a moment heads straight into tripped out techno territory, all urgent cyclical rhythm and head-teasing fx, but the mood is drastically different on the chord led 909 thumper universal vibe. from now on only good things will happen once again channels the edgy robert hood style to great effect before brothers vibe takes over for a deliciously dusty, meandering remix of universal vibe

following the acclaim of time travelers im made of stars lp, michele pinna presents the remixes report i, featuring remixes of tracks from the album by four key names in european and us techno. these remixes take pinnas dystopian sci-fi vision and place it firmly in the club, with each artist providing their own unique take on a different track from the album.

coyote deliver a standalone ep for clandestino s second release with the brooding, acidic fight the future and summery live jam engineered garments. fight the future caters for a ride through the club. tweaking 303s and bells weave their way round a dynamic 808 rhythm track while the dubbed out fx and melancholic spacey keys reign in the tension, eventually swelling and breaking over a subtle voice pad.

voyeur aka benson herbert and leo picking, are the young pair that broke through back in february 2012 with a remix of bombay bicycle club. soon after kerri chandler invited them to release on his madhouse and madtech imprints. before long the uk duo were sharing booths with the likes of frankie knuckles, masters at work, dennis ferrer and cassy. i album sampler is a limited ep of the more dancefloor friendly tracks which kicks off with the captivating production lost in paris . the a2 sees long beach island feat. kerri chandler with rippling drums and numerous mesmerising nuances merged together. on the flip patron saint generates a low-slung groove from start to finish, that features label head honcho kerri chandler. last but not least sees the tribal percussion and soaring synths of nina

repress...the original version of angel needs no further introduction as its already been a big club smasher since released in mid march.

bradley met duke hugh in amsterdam, when he handed him a green usb stick after a show. he played the promos in the empty club and the first track immediately grabbed his attention - he knew it was something special. when he remembered the hook to green leaf the next morning he signed the release almost instantly. each song has its own essence, there is absolutely no filler and the entire double pack sits together as a perfect whole. flirting with aspects of broken beat, jazz, hip hop and dreamy electronica - duke hugh winds together a most idiosyncratic release equally at home on the peak time dancefloor as it would be for a long road trip. canvas is a big statement from an artist who s here to stay.

between the vast flatlands of western ukraine and the pacific shores of vladivostok, a new quirky techno underground has been racking up hefty grid rhythms below the radar. initially free from the weekend routines of the established club circuit, producers from etapp kyle to stanislav tolkachev have been experimenting with the possibilities of shifting grids in their post-socialist bedroom studios.

after releasing on george fitzgerald s manmakemusic label and hosting parties featuring djs such as avalon emerson, breach, christian loffler, dauwd, frits wentink, locked groove, tom demac and xxxy, asa 808 and his toys friends are dropping the first 12 inch on their own label. this young club collective is all about bringing friends of forward-thinking electronic music together and supporting young boundary-pushing electronic artists. on their first vinyl release, the classically trained musician and producer asa 808 (aka hasta la otra mexico!) delivers three heavy, melodic and ominous techno cuts.

foql is belonging to the same polish electronic music collective as marburg (see gooiland 10: v/a – club funny horse) but the sound of this project is truly different… in a way the hypatia ep is delicate and even fragile maybe… it has the ritual feeling like some of the music by coil has… next to that it has textures reminiscent of the future sound of london… and in some ways foql fuses ambient, electronix and techno in the same way kobosil sometimes does… in short.. this is a record for well informed and well educated music lovers.
limited 150 copies.

having previously turned out some refined club tracks for friendly neighbourhood label banoffee pies, christian jay comes to idle hands for his debut solo 12inch. as revealed in our past support of artists such as i.a. bericochea and matt karmil, an appreciation of the finer end of the minimal house and techno spectrum weighs heavy at idle hands hq, and christian embodies everything good about the micro-genre. the stylistic approach on this single is consistent across both tracks, fusing shuffling, 2-step fuelled drum patterns with blissful atmospheric content in a most natural of ways. on 117 this manifests in a more flamboyant end result peppered with playful hi-hat tones and delicate melodic licks, while on contrail the mood is resolutely low-end focused with some choice bass touches in amongst the tightly wound funk of the beat. what makes jay s efforts stand out is their immersive finish, using dexterous doses of dub processing to create a quintessentially bristolian mood while retaining the razor-sharp edges of upfront european minimal. its a tone that speaks to limbering up at the start of the party, or shaking down deep into the morning. that said, we could listen to this all day and night.

la dame noir is one of marseille s most reliable outposts for serious disco-flavoured grooves both in the club and as a label, and now they make the leap to vinyl with a crucial collection of remixes from serious heads. pete herbert steps up first to rework m.u.s.i.q.u.e s -over to you-, turning the original into a simmering, noirish burner with speak and spell vox in the foreground. meanwhile herbert s take on nouveau rom s -timide comme un ange- is a looped-up dream of a groove that positively takes off when the peak section kicks in. dj steef then echoes the remix choices on the b-side, subtly edging the nouveau rom track into an even airier version before creating an emotional twist on -over to you-.

dj marcelle is one of the most seasoned and widely respected dj s in europe. she s a true pioneer with her free , brave and creative way of mixing. besides this she has always been following the latest developments in forward-thinking music and has therefore a keen ear for exciting new sounds. for the label klangbad, owned by hans-joachim irmler of krautrock band faust, she has released four double vinyl albums, mainly dedicated to and comprising her three turntable composition/mix talents. the munich based label jahmoni is proud to release her first 2-track club ep.

its the music of the space that extends between oceans and mountain slopes. its the music of the space that is much bigger and much more adventurous than the four walls of a club look like. its the latest record on acker, and it orbits around a song from il civetto. the band from berlin is a wonderfully multicultural bunch. their sound is reminiscent of gypsy, folk or swing, but at the same time it doesnt really fit any of these labels. liberté ana is a perfect example. monolink turns this track into a groovy downbeat tune that vibrates much higher than its low bpm count - the perfect soundtrack for laid-back afternoons or afterhours. pophop does what he does best: party. however, between the catchy bassline and the tight percussions of his remix theres still a lot of space for the soul of liberté ana. umami goes even further and creates an ecstatic banger that has everything it takes to be played during the prime time on the dance floor.

after releasing their own debut record in 2014 the hamburg based group sky walking formed by peter kersten, christian naujoks and richard von der schulenburg now celebrates the launch of their self-titled label. by bringing together an international line-up of artists mostly associated with the new and experimental music scenes in cities like hamburg, berlin and new york sky walking not only establishes a link between different locations and their specific (local) scenes – with the golden pudel club in hamburg somehow functioning as a bermuda triangle – but also between different generations of artists from these scenes.

the 12” dance series is dedicated to showcasing the finest rare original 12” remixes and extended versions of crowd-pleasing, floor-filling classics. from the disco, soul, rare groove and funk mixes of the 70’s, to the groove, hip hop/electro & techno/house of the 80’s and the acid jazz, indie, r&b, rap & club/house of the 90’s, 12” dance will deliver a lovingly curated selection of both the commercial big hitters and the underground cult club classics! this 2lp collection presents the finest in soul, funk, disco and jazz-funk mixes of the era, from feel-good old school classics to dance-floor anthems to underground club classics featuring artists such as gwen mccrae, rufus & chaka khan, jocelyn brown, sister sledge and many more.
the 180g double vinyl comes in a gatefold sleeve with download code included.